Revolve Dance Company is the kind of ensemble that makes dancing look effortless when you know full well it isn’t. On Friday, December 10 they made this abundantly clear to a packed Barnevelder Movement/Arts audience with their sixth full-length concert, Premieres6.
In one hand, a male dancer holds a folding fan, tilting and turning it with subtle precision. On his hip, a pistol rests in a holster. It matches the Old West cowboy hat on his head. Braiding iconic symbols of Japanese and American cultures, this moment is arranged in the exact center of New York choreographer Yasuko Yokoshi’s Tyler Tyler, which opens on Thursday, October 14 at DiverseWorks.
Two full days of improvisation classes will follow. Movers of all types and improvisational novices are welcome to register for the festival classes. “Because you define the physicality in your dancing while improvising, it can be very appealing to all levels,” says Trump. “We have a variety of sessions to suit registrants at different stages of experience.”
Delivering the strongest male performance of the evening, Kerry Jackson is trapped in a box of light. His passionate tirade in Consumed, an introduction to Kate Skarpetowska’s slightly scary world of driven conformists. Leaping from the stage he escapes an army of “suits” that urge surrender to their worker bee mentality. A Julliard alumni, Skarpetowska has danced for David Parsons, Lar Lubovitch, and newly named Alvin Ailey Artistic Director, Robert Battle. These influences are clear in athletic choreography, rich with human peculiarities.
Last spring, Houston Metropolitan Dance Company premiered jhon r. stronk’s Not Yet Soaring as the finale of their Mixing It Up concert. Its fresh and joyous movement language was a highlight on the program and the company encouraged stronks to develop the work further. The resulting collaboration, Still Confronting the Ground is a dance theater work that “finds them attending to the serious business of happiness in an evening of choreography and performance created in honor of growing up, and what it takes to get there.”