Psophonia Dance Company, co-founders and Artistic Directors, Sophia Torres and Sonia Noriega are keeping the work flowing even while giving up their choreographers’ chairs to some fresh blood – their dancers. New Pulse, which presents at Barnevelder November 18 and 19, will feature original choreography by current and former members of the company.
Some highlights of Nichelle’s writing career… so far. Categories include reporting, criticism, interviews, and instructional writing.
Revolve Dance Company is the kind of ensemble that makes dancing look effortless when you know full well it isn’t. On Friday, December 10 they made this abundantly clear to a packed Barnevelder Movement/Arts audience with their sixth full-length concert, Premieres6.
In one hand, a male dancer holds a folding fan, tilting and turning it with subtle precision. On his hip, a pistol rests in a holster. It matches the Old West cowboy hat on his head. Braiding iconic symbols of Japanese and American cultures, this moment is arranged in the exact center of New York choreographer Yasuko Yokoshi’s Tyler Tyler, which opens on Thursday, October 14 at DiverseWorks.
Delivering the strongest male performance of the evening, Kerry Jackson is trapped in a box of light. His passionate tirade in Consumed, an introduction to Kate Skarpetowska’s slightly scary world of driven conformists. Leaping from the stage he escapes an army of “suits” that urge surrender to their worker bee mentality. A Julliard alumni, Skarpetowska has danced for David Parsons, Lar Lubovitch, and newly named Alvin Ailey Artistic Director, Robert Battle. These influences are clear in athletic choreography, rich with human peculiarities.